Alexander Ponekhalsky
Christ the True Vine, c.1753, Wall painting, Biserica de Nașterea Maicii Domnului (Church of the Nativity of the Virgin Mary), Călinești Căeni, Maramureș, Romania; Țetcu Mircea Rareș / Wikipedia / CC BY-SA 3.0
Christ the True Vine
Commentary by Victoria Emily Jones
Alexander Ponekhalsky (Alexandru Ponehalschi) (fl.1746–82) was born in present-day Ukraine and settled for four decades among the Romanians of Maramureș in the Carpathians, becoming one of the most renowned artists in the region. He was incredibly prolific, painting some eight hundred icons (Baboș 2024: 15, 25).
One of those is Christ the True Vine, an icon type that remains popular in Romania and other eastern European countries. Even within the Church of the Nativity of the Virgin Mary in Călinești Căeni, Ponekhalsky painted the subject at least three times: on a portable triptych wing, as a prothesis icon (the area behind the iconostasis), and, pictured here, on the northeastern wall of the sanctuary (Ibid 2024: 37, 147, 152).
The mural shows Christ seated on a draped altar, naked except for a loincloth and a crown of thorns. Out of his side wound grows a grapevine, which arches over his body. From the bent-over vine he grabs a cluster of grapes, squeezing their juices into a chalice. To his left, the Romanian inscription translates to ‘Jesus Christ, giver of life’. And on the right, an angel holds a scroll bearing words from the Office of Oblation (Proskomide), recited in preparation for the sacrament of the Eucharist: ‘You have redeemed us from the curse of the law by your precious blood’.
The icon represents Christ as both the sacrifice that is offered (the victim, though a willing one) and the one who makes the offering (the priest); his hands prepare the drink, and yet that drink is procured from his own torn body.
This idea of Jesus as both offered and offerer is expressed in the Prayer of the Cherubic Hymn in the Divine Liturgy: ‘For you are the One who offers and the One who is offered, the One who is given and the One who is received, O Christ our God’. And in Hebrews 7:27: ‘He has no need, like those high priests, to offer sacrifices daily…; he did this once for all when he offered up himself’ (emphasis mine).
References
Baboș, Alexandru. 2024. The Icons of Alexander Ponekhalsky / Jertfa di la mine zugrău Alexa cel păcătos, Museikon Studies 5, (Cluj-Napoca: Editura Mega), available at https://www.academia.edu/126754025/The_Icons_of_Alexander_Ponekhalsky_Jertfa_di_la_mine_zugr%C4%83u_Alexa_cel_p%C4%83c%C4%83tos [accessed 31 March 2025]
Nicolae, Jan. 2014. ‘«Iisus cu viţa» este cea mai iubită icoană a lui Hristos, în Ardeal’, Formula AS, available at http://arhiva.formula-as.ro/2014/1125/spiritualitate-39/pr-prof-jan-nicolae-iisus-cu-vita-este-cea-mai-iubita-icoana-a-lui-hristos-in-ardeal-17977 [accessed 31 March 2025]