Nicolas Bataille
Opening of the Fifth Seal, from The Apocalypse of Angers, 1373–87, Tapestry, Musée des Tapisseries, Angers; Manuel Cohen / Art Resource, NY
Patient Martyrs
Commentary by Eric C. Smith
When the fifth seal opens in Revelation 6:9–11, the plot shifts. The first four seals had each loosed a horseman, but the fifth seal opens instead onto a scene in heaven. Rather than looking only ahead to suffering and death still to come, as the first four seals and their four horsemen do, the fifth seal looks both backward to the suffering and death that have transpired in the past, and foreshadows more to come. ‘I saw under the altar the souls of those who had been slaughtered for the word of God and for the testimony they had given’, writes the Revelator. The faith’s martyrs, the reader learns, have been gathered and gathering under heaven’s altar to await their justice. They are told that they will have to wait a while longer, and watch the number of the martyrs grow.
The Angers Apocalypse Tapestry is an early exquisite example of what was a burgeoning industry in fourteenth-century France. Beginning then, and continuing through the Renaissance, tapestry-weaving was one of Europe’s chief art forms, and one of its most prized. The Apocalypse Tapestry was commissioned by Louis I, Duke of Anjou, and woven over a decade in the 1370s and early 1380s. Rarely for a tapestry of that period, it is extant, mostly intact, in its restored form.
In this scene, the tapestry follows the martyrs from their place under the altar of heaven to their moment of supplication to the ‘Sovereign Lord, holy and true’. In response to their request for vengeance, the martyrs are given white robes by an angelic figure, shown here as a winged lion with human facial features, and told to wait a while longer. This scene interprets a part of Revelation that received a great deal of attention in popular imagination from antiquity to the present, with strong traditions understanding that martyrs had special proximity to God, and that a set number of martyrs would be fulfilled before God’s intervention. As traditions and practices of martyrdom developed within Christianity, this part of Revelation—giving martyrs pride of place in heaven—inspired both zealotry and devotion among believers.
References
Huber, Lynn R., with Gail R. O’Day. 2023. Revelation, ed. by Amy-Jill Levine, Wisdom Commentary 58 (Collegeville, Minnesota: Liturgical Press) pp. 81–95
O’Hear, Natasha, and Anthony O’Hear. 2015. Picturing the Apocalypse: The Book of Revelation in the Arts over Two Millennia (Oxford: Oxford University Press) pp. 93–110