Sergio Gomez
The Bleeding Border, 2008, Acrylic on Paper/Canvas, 195.58 x 284.48 cm, Collection of the artist; ©️ Sergio Gomez, Courtesy of the artist
Broken Beauty
Commentary by Cecilia González-Andrieu
What does it mean to trust in God? Does it mean to stay put and perish, or does it mean to run, seek refuge, and believe God will accompany and see us through a harrowing journey? Displaced persons around the globe must answer this every day. For most, just as for the children in The Bleeding Border, there may be no choice but to trust that ‘the righteous [who] are generous and keep giving’ (Psalm 37:21 NRSV) may be waiting on the other side.
The monumental scale of this work gives the viewer nowhere to retreat to. The life-sized children are running and it is impossible to tell in which direction. Are we joining their dash toward the light-filled door? Will it close before we reach it? Or, instead, are the children running headlong toward us? Will we take them up in our arms and provide the refuge God promises? Will those who hold the power of life and death over these children be among God’s righteous, who even if they have little themselves (v.16) are willing to share it?
The land—so central in this psalm, and promised repeatedly to those who do good and wait for the Lord—is a co-protagonist in this work. Superimposed over the scene and most visible against the night sky, the border between the United States and Mexico is rendered as flesh, an open wound dripping blood onto towns and villages, some real and some imagined, with names like El Diablo (the devil) and El Cielo (heaven). The handwritten text framing the painting shatters any possibility of absolving ourselves from responsibility. These are ‘Someone’s children, anonymous shadows to the rest of us. Thousands of unspoken and ignored inconveniences’. Repeated in a thousand places with a thousand faces, can the God who mends the broken, mend this? How does this story end? (Luiselli 2017: 55).
References
Luiselli, Valeria. 2017. Tell Me How It Ends: An Essay in Forty Questions (Minneapolis: Coffee House Press)