The Foot after Christ
Commentary by Michael Banner
Some early reliquaries were simply quite practical means of housing relics being kept for personal use—relatively plain boxes, or small pendants. Later, however, reliquaries were developed for the display of relics to pilgrims or congregations, evoking the meaning of the objects they contained so to elicit devotion (Hahn 2012). In this process, as this reliquary shows, even the lowly foot could become freighted with meaning, and an object of beauty and inspiration.
The finely wrought artwork comprises a wooden core, the upper part of which is covered with sheets of silver. Gilded copper is used for the sole, for the plaque on the top which caps the foot at the ankle, and for the decorated frame of the small rock crystal window through which relics of St Blaise could be viewed. On the plaque, Blaise is depicted standing in the splendour of his episcopal robes, a canopy over his head. But the carved foot itself possesses its own dignity, with its fine modelling, gentle and graceful arch, and elegant toes.
St Blaise was bishop of Sebastea (present day Sivas in central Türkiye) and was martyred around 316 CE. He had reputedly been a physician prior to becoming a bishop, and continued a ministry of healing to humans and animals, right up to his death. Notwithstanding his relative obscurity, he gained considerable popularity in the later Middle Ages as someone whose help could still be sought for bodily ailments (Farmer 2011) and his relics were so prized as to be deemed worthy of costly casing in this and many other instances.
Whether this reliquary contained his whole foot, one or more of its bones, or even some other body part, is unclear. What is clear however (as well as noteworthy) is that a representation of a human foot—base body part that it is—could be conceived as worthy of reverence, rather than of disgust, and a fitting object of prayerful meditation. How does the foot become such an object?
At the close of the foot-washing scene in John, Jesus connects what he has done with the sending out of the apostles—‘he who receives any one whom I send receives me’ (John 13:20). The feet of those whom Jesus sends have been made beautiful. For ‘how beautiful are the feet’—even the feet—‘of those who preach the gospel of peace’ (Isaiah 52:7; Romans 10:15).
References
Farmer, D.H. 2011. The Oxford Dictionary of Saints (Oxford: Oxford University)
Hahn, Cynthia. 2012. Strange Beauty: Issues in the Marking and Meaning of Reliquaries, 400–circa 1204 (Pennsylvania: Pennsylvania State University Press)