Unknown Italian artist

Jonah and the City of Nineveh, 13th century, Stone relief, Cathedral of Sessa Aurunca, Campania; akg-images / De Agostini / V. Giannella

Hinterland

Commentary by jione Havea

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In this relief from the Sessa Aurunca Cathedral, Campania (Italy), Jonah’s right finger ‘preaches’ at the empire, as represented by a walled city at left. A man, who is not pointed out by Jonah’s finger, rises above the wall. Is this man, who could be the king in the biblical narrative, listening to Jonah or staring him down? There is no connection between the two men, and there is no feeling of urgency.

This relief could be referencing two instances in the biblical narrative: first, it could be referring to Jonah preaching against the city (3:4); second, it could also be referring to Jonah arguing with God on account of the city (4:1–4). The first was after Jonah arrived; the second was just before Jonah left the city (4:5).

The gate is open, and Jonah is outside the city. But he is not far off. At his feet, an audience—some of whom could be women—appears bored. They don’t look at Jonah. They also look past us, the viewers of this relief. They are there, and not there. They fill the space between where Jonah was, east of the city (4:5) and the city itself. They testify that the hinterland is not empty (see Manoa 2010).

Behind Jonah is a booth and a creeping plant that—in the biblical narrative—gave him comfort after he left the city (4:6). The Qur'an, by contrast, relocates the plant to the ‘wide bare tract of land’ (37:145) where the fish vomited Jonah out—a moment before he enters that city. The plant moves from providing relief to an angry prophet in the biblical narrative, to providing an opportunity for a fishy prophet to rest up and recover in the Qur’anic version (see Havea forthcoming).

Scriptures move details around, as the Qur’an does to the slender plant in the hinterland of the biblical narrative (and, among many other examples, as the Gospel of John does to the so-called Synoptic Gospels). And so do readers—we move and ignore narrative details in the interests of the readings that we favour.

 

References

Havea, Jione. Forthcoming. ‘Would Vishnu save Jonah’s Poor Fishie? A Transtextual Query’, in Queering the Prophet: On Jonah, and Other Activists, ed. by L. Juliana Claassens et al (London: SCM)

Manoa, Pio. 2010. ‘Redeeming Hinterland’, The Pacific Journal of Theology 2.43: 65–86

See full exhibition for Jonah 3

Jonah 3

Revised Standard Version

3 Then the word of the Lord came to Jonah the second time, saying, 2“Arise, go to Ninʹeveh, that great city, and proclaim to it the message that I tell you.” 3So Jonah arose and went to Ninʹeveh, according to the word of the Lord. Now Ninʹeveh was an exceedingly great city, three days’ journey in breadth. 4Jonah began to go into the city, going a day’s journey. And he cried, “Yet forty days, and Ninʹeveh shall be overthrown!” 5And the people of Ninʹeveh believed God; they proclaimed a fast, and put on sackcloth, from the greatest of them to the least of them.

6 Then tidings reached the king of Ninʹeveh, and he arose from his throne, removed his robe, and covered himself with sackcloth, and sat in ashes. 7And he made proclamation and published through Ninʹeveh, “By the decree of the king and his nobles: Let neither man nor beast, herd nor flock, taste anything; let them not feed, or drink water, 8but let man and beast be covered with sackcloth, and let them cry mightily to God; yea, let every one turn from his evil way and from the violence which is in his hands. 9Who knows, God may yet repent and turn from his fierce anger, so that we perish not?”

10 When God saw what they did, how they turned from their evil way, God repented of the evil which he had said he would do to them; and he did not do it.