Let There Be Life
Commentary by Robert Hawkins
This necklace threads together one hundred and seventy beads, each one made from a different fossil. The fossils span 4750 million years of the earth’s history; the beads, arranged chronologically around the necklace, tell the story of life on earth. From its single-cell origins, through massive extinction events and the collision of continents, to the rise and fall of kingdoms of plants, reptiles, and mammals: aeons of life’s story are excavated, smoothed, and strung together.
The fifth day of creation (Genesis 1:20–23) stresses the sheer abundance of life, its multifariousness, its complexity. The waters swarm; there are creatures of every kind. Fossil Necklace helps us to imagine this phenomenal proliferation extended through geological time. What Genesis renders as a sudden blossoming, the fossil record magnifies and dilates. The chronological scale is dizzying. Each bead is a capsule from a particular day in the life of creation, an anchor attaching the present to an ancient moment in the geological story.
Creation proceeds by multiplication, and by accretion, layer upon layer. Annie Dillard, in her great meditation on the complexity of nature, Pilgrim at Tinker Creek, wonders at the sheer profligacy of it all, the extravagance of all these swarming things dying to make way for new things: ‘though nothing is lost, everything is spent’ (Dillard 1974: 66). Fertility and death have always been related: everything that lives stands on the shoulders of everything that has died. And yet, nothing is ever quite lost. Things leave prints and traces; sometimes fossils of astonishing beauty. Each of Katie Paterson’s beads is a swirling world in itself: lichen yellow, glowing amber, sparkling quartz.
Still today, the animal, plant, and fungal kingdoms roil forward in ongoing creation. As one hymn puts it: ‘there is grace enough for thousands of new worlds as great as this’.
References
Dillard, Annie. 2011. Pilgrim at Tinker Creek (London: Canterbury Press)