A New Exodus
Commentary by Ruth Sheehy
The Paschal Lamb, depicted in this rose window, is also the Apocalyptic Lamb. In both aspects, the Lamb, for Christians, signifies Christ.
Christ’s sacrificial death at the time of Passover underscores his association with the Passover Lamb of the Old Testament. The Lamb in this window is therefore, in one respect, ‘Paschal’ with blood pouring from his breast. However, this same Lamb is also alive and risen from the dead, so we find additional resonances here with the Lamb of Revelation 5:6–7 which states:
Then I saw between the throne and the four living creatures and among the elders a Lamb standing as if it had been slaughtered, having seven horns and seven eyes, which are the seven spirits of God sent out into all the earth.
In Richard King’s window, we see ‘the seven horns of light’ around the Lamb’s head (Sheehy 2020: 341) and the white Cross of Resurrection.
These two dimensions of the Lamb, Paschal and Apocalyptic, are both evident in the Book of Revelation, as Richard Bauckham argues: ‘Doubtless, the Lamb is intended to suggest primarily the Passover lamb, for throughout the Apocalypse [including in 5:10] John represents the victory of the Lamb as a New Exodus’ (Bauckham 1993: 64). The Lamb of the Apocalypse is the Lamb whose blood was shed at Passover.
Christ, who is both crucified and risen, is the Paschal Mystery celebrated in the Eucharist. Through Christ, God’s very self is offered and received in the eucharistic action, and this Triune God is revealed by the ‘three triangles in the primary colours’ and ‘the large ruby triangle’ (Sheehy 2020: 341) symbolizing the Trinity behind the Lamb. This ‘large ruby triangle’ signifies ‘the Unity of God which gives the key colour note to the whole’, as ruby is ‘the symbolic colour of love’ (ibid 342). Eucharistic emblems of ‘bread’, ‘wine’, and ‘Water’ (sic) (ibid 341), in expressive colour, are in the six cusps of the window. A blue ‘Tau cross’ behind the Lamb connects him with the eucharistic emblems and the triangles of the Trinity.
Ichthus (IXΘΥΣ), the Greek word for fish, incorporates the language of Early Christianity. These initial letters of the words ‘Jesus Christ, Son of God, Saviour,’ functioning as an acrostic, are in blue glass beneath the Lamb. He is Saviour, for the blood that pours from his breast into a chalice is shed to redeem his people.
References
Bauckham, Richard. 1993. New Testament Theology: The Theology of the Book of Revelation (Cambridge: Cambridge University Press)
Fletcher, Michelle. 2022. ‘Reading Exodus in Revelation’, in Exodus in the New Testament, ed. by Seth Ehorn (London: Bloomsbury), pp. 182–201
Hoffmann Matthias Reinhard. 2005. The Destroyer and the Lamb: The Relationship Between Angelomorphic and Lamb Christology in the Book of Revelation (Tübingen: Mohr Siebeck)
King, Richard. 1967. ‘Unpublished written description of the windows in Dominican Convent Chapel, Wicklow, June 1967’, Dominican Archives, Wicklow, now in Dominican Archives, Cabra, Dublin
Sheehy, Ruth. 2020. The Life and Work of Richard King: Religion, Nationalism and Modernism, Reimagining Ireland Series (Oxford: Peter Lang)