People Fishing
Commentary by Jonathan Evens
Here, John Bellany shows us fishermen in Kinlochbervie, the most northerly port on the west coast of Scotland. Those gutting fish in the foreground are seated at a table as though at the Last Supper, while behind them a fisherman carries a yoke giving him ‘the appearance of being crucified’, and the boat on which he and others stand ‘is like the mythical boat used to ferry the dead across the river Styx to Hades’ (National Galleries of Scotland).
Bellany, who was himself born in a fishing village (Port Seton, near Edinburgh), paints a scene that would have been familiar to him, yet saturates it in the imagery of Christianity. He sees signs of faith in the fisher folk’s everyday work. And he implies that through such faith, the ordinary activities of these people who fish for fish can also become the activity of embodying the gospel, and thus transforming human lives and communities (‘fishing for people’).
In Matthew 4:12–22 and Mark 1:14–20, we read how it was necessary for those responding to the call of Jesus to leave their physical nets, exchanging a literal sort of fishing for a metaphorical one. That call reflected the itinerant mission which would take them throughout Galilee and the surrounding countryside, culminating in Jerusalem with Jesus’s crucifixion. By the time Kinlochbervie was painted, however, the call to serve Jesus and his kingdom by ‘fishing for people’ could be incorporated into settled everyday life and pursued whilst also fishing for fish.
The change reflects the transitions of Jesus’s story, and where he is at work in the ongoing story of his followers. In the Gospel accounts, Jesus is consistently on the move and the task of his first disciples is to go ahead of him and announce the coming of God’s kingdom as he arrives (Luke 10:1–9). Following Jesus’s Ascension and the coming of his Spirit at Pentecost, his disciples instead find his Spirit within them, so he is with them wherever they are and whatever they are doing. His kingdom can come in the homes, the towns, and the workplaces of those he calls, without their having to leave. It is always, and intensely, ‘near’ (Matthew 4:17).
References
Updated before 2020. ‘John Bellany: Kinlochbervie’, National Galleries of Scotland, artwork label, available at https://www.nationalgalleries.org/art-and-artists/400 [accessed 5 February 2023]