Rembrandt van Rijn
The Denial of St Peter, 1660, Oil on canvas, 54 x 169 cm, Rijksmuseum, Amsterdam; Purchased with the support of the Vereniging Rembrandt, Rijksmuseum, Amsterdam
Sin (Before the Cock Crows)
Commentary by Clemena Antonova
This painting represents the moment in the story of Peter’s denial of Christ which is most intensely infused with psychological and emotional drama. It is a unique gift of the Lukan account, for only Luke records that while Peter was speaking ‘the Lord turned and looked at Peter’ (Luke 22:61).
Rembrandt establishes two main arenas of action in his painting. Standing by the fire in the courtyard of the high priest, Peter dominates the foreground, while in the background we see Christ in the High Priest’s house, where he is being interrogated. There are many precedents—going back to early Christian times—for the combination of these two scenes within a single image (Réau 1957: 439 ff).
Peter is being approached by a servant-girl, holding a candlestick. The light of the candlestick illuminates Peter’s face and his lips, which are just beginning to form a denial. Peter has already denied knowing Christ twice—in Luke’s account, this is once to the servant-girl (vv.56–57) and later to one of the men in the courtyard (v.58). Although Rembrandt includes the servant-girl, the artist clearly intended to show Peter’s third renunciation of Jesus (again to a male accuser) (vv.59–60). At this moment, Peter remembers the Lord’s prediction at the Last Supper only a few hours earlier: ‘Before the cock crows today, you will deny me three times’ (v.61).
Rembrandt depicts not the denial itself, but the split second preceding Peter’s words. Jesus has turned in the direction of Peter, but is not yet looking at him (v.61). We are shown an action in the process of happening; invited into the moment of maximum tension just before the climax of the drama. Peter still has the choice of recanting and withdrawing his denial.
But viewers familiar with the biblical text can complete the narrative. Peter will deny his Lord a third time and will thus condemn himself to bitter self-reproach.
References
Jefferson, Hunter. 1980. ‘Three Versions of Peter’s Denial’, Hudson Review 33.1: 39–57
Judson, J.R. 1964. ‘Pictorial Sources for Rembrandt’s Denial of St. Peter’, Oud Holland 79.3: 141–51
Réau, L. 1957. Iconographie de l’art Chrétien, vol. 2 (Paris: Presses universitaires de France)