An Unbroken Line, Almost Severed
Commentary by Tom L. Freudenheim
The combined majesty and awe of Chartres Cathedral (constructed during the twelfth and thirteenth centuries) includes a seemingly endless array of images, challenging both the eye and the spirit. The sumptuous so-called Royal (west) Portal is the most common entry for both worshippers and sightseers, making it easy to miss the central portal at the north entrance.
There, a group of five Old Testament figures occupies the east side of the central portal. Unlike most of the narrowly accentuated jamb figures at Chartres, these personages form a special ensemble: a highly selective survey of characters in the Hebrew Bible. They appear to have a relationship to one another. That is in sharp contrast to most of the other jamb figures at the three major Chartres portals, where an array of biblical figures seem to ignore each other.
The personages depicted are (left to right) Melchizedek, Abraham, Moses, Samuel, and King David. Of these, the most arresting figure is that of Abraham, his left hand holding a knife while his right hand cradles the head of a young lad: his son, Isaac, whose feet are bound with rope. Both gaze upward toward their right, while standing on a clearly delineated ram. This is a reference to the story often called the Sacrifice of Isaac, as described in Genesis 22:1–19.
Abraham may be looking up listening to God or the angel who called to stop him. But he may also be looking at the priest, Melchizedek (‘righteous king’ in Hebrew) beside him, who had blessed Abram (Genesis 14:18–20) before God named him Abraham (Genesis 17:5). Moses is the central figure, gazing to the distance and holding a tablet of the Law. Next comes the priest, Samuel, holding a lamb and knife (1 Samuel 7:9), and he faces King David, whom he had anointed (1 Samuel 16:12–13).
This extraordinary ensemble can be read in a variety of ways. The centrality of Moses-the-lawgiver almost suggests a Jewish interpretation, since the Law (Torah) forms the centerpiece of Jewish liturgy. But reading the figures from left to right there’s also another kind of hierarchical progression from an early priestly and tribal people to one that accepts the concept of divinely-sanctioned royalty. Thus, David is both a genealogical and royal ancestor of Christ-the-King.