John Piper
Photograph of a sheep on Romney Marsh, Kent, c.1930s–80s, Black and white negative, 58 x 62 mm, Tate; Presented by John Piper 1987, TGA 8728/1/20/150, ©️ 2022 The Piper Estate / Artists Rights Society (ARS), New York / DACS, London; Photo: ©️ Tate, London / Art Resource, NY
Who are the Sheep?
Commentary by Joy Clarkson
This photograph is part of a series taken of Romney Marsh in Kent by the painter, printmaker, and designer John Piper (1903–92). It depicts a Romney sheep, a breed admired throughout the centuries for its fine wool and ability to thrive in unfriendly climates. The Romney Sheep Breeder’s Association writes that the breed has a ‘reputation for soundness of feet and good resistance’ (‘About’, n.d.)—a description which captures well the sheep in Piper’s photograph, who seems to challenge the viewer, its gaze direct, its ears extended in alert attention.
Over the course of Christian history, there has been much conjecture about the attitude of the sheep in the parable of the Lost Sheep. Perhaps thinking of the sheep in his own native Essex, the influential preacher Charles Spurgeon (1834–92) describes sheep as utterly incapable of caring for themselves: ‘Of all wretched creatures a lost sheep is one of the worst’ (Spurgeon, ‘Lost Sheep’, 1884). Others emphasize the wilfulness of sheep as an allegory of humankind’s proclivity to sin and wander away. ‘Sheep are stubborn’, writes Augustine. ‘What do you want us for’, he imagines the sheep asking Jesus; ‘Why are you seeking us out?’ (Augustine, Sermon 46).
One could imagine either attitude (senselessness or stubbornness) in the piercing stare of the Romney sheep in Piper’s image. Perhaps it has wandered away on purpose and does not wish to be found; its breed is known, after all, for resilience in difficult terrain. And yet there is also a helplessness in its rebellion, mired amongst spiky plants with no clear exit route. The Jesus of the Gospel of Matthew seems not primarily to be interested in the reason the sheep is lost (by contrast with Luke, whose sheep illustrates the effects of sin; v.7). Matthew’s focus is on the persistence of the shepherd towards his ‘little ones’ (vv.10, 14).
Like the sheep in Piper’s photograph, the lost sheep of Jesus’s parable may be rebellious or pitiable; it remains unclear which. But this we know: it is seen and sought out.
References
‘About’, Romney Sheep Breeder’s Association, available at https://www.romneysheepuk.com/about [accessed 11 August 2022]
Rotelle, John E. (ed.), Edmund Hill (trans.). 1990. Sermons, vol. 2, The Works of St Augustine (Brooklyn: New City Press), p. 272
Spurgeon, Charles Haddon. 1884. ‘The Parable of the Lost Sheep’ (Sermon, September 28th, 1884), Metropolitan Tabernacle Pulpit, 30 (London: Banner of Truth Trust), pp. 517–28