Adolfo Pérez Esquivel
7th Station of the Cross: The Land Question, 1992, Acrylic [?]; Courtesy of Alastair McIntosh and Coopération Internationale pour le Développement et la Solidarité
A Non-Violent Battle for Justice
Commentary by David B. Gowler
Adolfo Pérez Esquivel’s Stations of the Cross was created for the five-hundredth anniversary of the colonization of the Americas. It reflects on Jesus’s Passion and connects it with the experiences of contemporary Latin American people suffering from colonization, poverty, hunger, illiteracy, economic inequality, and other oppression including torture, imprisonment, and death. These contexts mirror the oppression of the Jewish people during the time in which Jesus lived, taught, and was martyred—and Jesus’s own victimization.
For example, the sufferings of campesinos (landless, tenant, and/or peasant farmers) and other oppressed people in Latin America, are reflected in Jesus’s journey to the Cross. Station 7 (‘The Land Question’), where Jesus falls for the second time under the weight of the cross, illustrates the plight of the landless poor. The landscape in the background illustrates that abundant land is available for everyone in a just society, but the rest of the painting depicts the violent oppression under which the poor suffer. The soldiers guarding Jesus wear contemporary uniforms and are equipped with a gun, clubs, and a shield. Crowds of people march behind Jesus in protest, and their signs link his torture at the hands of the elite with theirs: Reforma Agraria (agrarian reform) and Derecho a la tierra (right to land). In addition, most tellingly, the seven black ropes on the cross in the midst of the crowd represent murdered campesinos (McIntosh 2005). Similarly, Station 3’s depictions of violence, such as the murder of Archbishop Oscar Romero, associate Jesus’s death with the violence inflicted upon the defenceless in contemporary Latin America by its ruling elites.
In Latin America, as Pérez Esquivel notes, peasants ‘battle for survival’ in the ‘wholesale eradication of subsistence farming and its replacement by agribusiness for export’ (Pérez Esquivel 1984: 92). Like scholars who interpret the parable of the wicked tenants as an argument against violence in the face of oppression, Pérez Esquivel calls for a nonviolent ‘battle’ against such unjust repression, one based on Jesus’s proclamation of good news to the poor and liberation of the oppressed (Luke 4:18–19).
References
McIntosh, Alastair. 2005. ‘Stations of the Cross from Latin America 1492–1992 by Adolfo Pérez Esquivel of Argentina’, www.alastairmcintosh.com, available at https://www.alastairmcintosh.com/general/1992-stations-cross-esquivel.pdf [accessed 20 April 2022]
Pérez Esquivel, Adolfo. 1984. Christ in a Poncho (Maryknoll: Orbis)