Christ the Eternal High Priest
Comparative commentary by Victoria Emily Jones
The Pentateuch describes how the Levitical priesthood was established by God to provide mediation between himself and the people of Israel. Chosen from the tribe of Levi, the priests carried out the sacrificial service in the tabernacle and later the Temple (Exodus 28:1; Numbers 3:5–9; 18; Deuteronomy 18:1–8).
The author of Hebrews describes Jesus Christ as a high priest, but one who is superior to those who came before (and who were, if we date Hebrews to before 70 CE, still active in Jerusalem) because Christ is eternally available to God’s people and is morally flawless, not needing to atone for his own sins (Hebrews 7:23–25, 27).
But Jesus is descended from Judah, not Levi, so how could he fulfil a priestly function? The writer invokes Melchizedek, a mysterious Old Testament figure whose Hebrew name means ‘My King Is Righteousness’. He was the king of Salem (an ancient name for Jerusalem; see, e.g., Psalm 76:2) and a priest living in the time of Abraham (Abraham paid tithes to him in gratitude for the food and blessing he gave him after a battle; Genesis 14:17–20). But his genealogy is never mentioned.
His name appears again in Psalm 110:4, where God pronounces to a messianic king, ‘You are a priest for ever after the order of Melchiz’edek’. The writer of Hebrews applies this verse to Jesus (Hebrews 7:17, 21).
In art, Melchizedek’s presentation of bread and wine to Abraham often appears as a prefiguration of the Last Supper, as in this Netherlandish altarpiece at the Metropolitan Museum of Art. Here Christ institutes and presides over a new ritual for his followers: a commemorative meal of bread and wine that are his body and blood, broken and spilt, through which ‘we draw near to God’ (Hebrews 7:19).
This reconciling sacrifice is portrayed as occurring in the heavenly throne room in the Russian icon You Are a Priest Forever, where Christ appears dressed in the vestments of an Orthodox priest and stretched wide on the cross, covered by seraphic wings. He is both giver and gift, both offerer and offered, and this gift, this offering, extends to all people for all time.
The itinerant religious painters who worked throughout Romania in the premodern era, including the preeminent Alexander Ponekhalsky of the Maramureș region, were particularly fond of picturing this paradox using an iconography of Christ the grapevine, his blood become wine. From the hole in Christ’s speared side grows a fruitful abundance, which he presses into a cup for the health and life of his church.
‘Every high priest is appointed to offer gifts and sacrifices; hence it is necessary for this priest also to have something to offer’ (Hebrews 8:3). What does Jesus have to offer? His own self. As priest, on behalf of his people, he sacrificed not sheep, goats, bulls, or doves but his own sinless flesh. And he ever lives to intercede for his people by virtue of that sacrifice (Hebrews 7:25), as mediator of the new and better covenant (Hebrews 8:6).