Unknown artist
Moses receiving the law and handing it to Joshua, who hands it to the Elders, from the Regensburg Pentateuch, c.1300, Handwritten on parchment; brown ink, tempera and gold leaf; square Ashkenazic script, 245 x 185 mm, The Israel Museum, Jerusalem; B05.0009 180/052, ©️ The Israel Museum Jerusalem by Ardon Bar-Hama
Faithfulness and Grace
Commentary by Alison Gray
This is a rare midrashic illustration from the Regensburg Pentateuch, a medieval Ashkenazi manuscript from around 1300. It is one of only five full-page illustrations in the liturgical manuscript that was gifted to Gad ben Peter Ha-Levi, the leader of the Jewish community in Regensburg, Bavaria.
A divine hand from the heavenly clouds passes the Ten Commandments to Moses, who initiates a chain of faithful transmission of the laws down the mountainside. The Hebrew manuscript at the top contains the beginning of the first five commandments (Exodus 20:3–12) along with the preface from verse 2 ‘I am the LORD’. Below that is the second half of the commandments all of which begin with the permanent prohibition in Hebrew lō’: ‘Do not ever…’ (vv.13–14). Two other figures form this chain, presumably Joshua (24:13) and Aaron (19:24; 24:1). The elders, representing the whole people of Israel, wait eagerly at the bottom of the mountain with open palms.
The mountain is curiously depicted as an upturned tub, drawing on a Talmudic midrash on Exodus 19:17: ‘God overturned the mountain above the Jews like a tub, and said to them; if you accept the Torah, excellent, and if not, there will be your burial’ (Shabbat 88a). Rabbi Aha ben Ya'akov then reflects on how Israel was coerced into accepting the Law, but later accepted it willingly in the Persian period (Esther 9.27; Sternthal 2018).
As depicted here, the Ten Commandments are usually understood to be those outlined in Exodus 20 (see also Deuteronomy 5), yet there is an entirely different set of commandments in Exodus 34. This ‘second’ set of commandments focuses on festivals, ritual, and sacrificial laws, such as the injunction against making a covenant with other nations and worshipping their gods, and instructions about offerings to God. They are in many ways more significant than the first set of laws for Israel’s identity and relationship with God.
This second set of commandments symbolizes the covenant that has survived Israel’s disobedience in worshipping the golden calf and confronts them with divine faithfulness.
References
Rabbi Steinsaltz, Adin Even-Israel (trans.). William Davidson Talmud, available at https://www.sefaria.org/texts/Talmud.
Sternthal, Michal. 2018. ‘The Israel Museum Regensburg Pentateuch‘, Oxford Chabad Society, University of Oxford, available at https://www.chabad.org/multimedia/video_cdo/aid/4103097/jewish/Hebrew-Illuminated-Manuscripts-The-Medieval-Regenburg-Pentateuch.htm [accessed 10 May 2024]