William Holman Hunt’s The Shadow of Death is ambitious in scale, technical execution, and theology. As with many of Hunt’s paintings, the viewer is at first almost overwhelmed by the density of detail, the vivid and iridescent hues, and the sheer number of symbolic references. It is difficult for the eye to come to rest and it is difficult to identify the ‘real’ subject of the painting. It could be a purely human incident, a young carpenter stretching, stiff from his labours, as the day draws to its close. But we are also offered here a glimpse of the redemptive work of Christ. In ‘rendering the simple and real allusive’ the painting not only points to Christ’s work but exemplifies Christ’s own artistry (Sund 1988: 668).
At first glance the painting seems to be about the crucifixion (and the title demands this reading). The evening sunshine that so gloriously transfigures Jesus’s body and intensifies the blue of his natural halo also casts a dark shadow. For this moment the carpenter’s tools prefigure the instruments of the passion; the luxurious and pleasurable extension of tired limbs prefigures their brutal distortion on the cross.
Yet Hunt had painted a very similar (smaller) version a year earlier and inscribed Philippians 2:7–8 on the frame of his own design, thus drawing attention to the humanity and humility of the scene rather than its ominous signs of violence. Christ is ‘found in the form’ of an ordinary Jewish artisan standing in the detritus of a humble workshop, a space he shares with his mother. She has opened a chest whose treasured contents, gifts from the Magi, point back to the nativity as much as forward to the cross.
The ‘real’ subject of the painting is the relationship between incarnation and humility (v.6). It’s a portrait of a flesh-and-blood (laboriously researched) ‘real’ historical Jesus, whose humility is expressed first in the ambiguous circumstances of his conception and birth and then in his lowly status as a working man. These in themselves foreshadow the nature of his death by the most humiliating execution his culture could contrive.
2 So if there is any encouragement in Christ, any incentive of love, any participation in the Spirit, any affection and sympathy, 2complete my joy by being of the same mind, having the same love, being in full accord and of one mind. 3Do nothing from selfishness or conceit, but in humility count others better than yourselves. 4Let each of you look not only to his own interests, but also to the interests of others. 5Have this mind among yourselves, which is yours in Christ Jesus, 6who, though he was in the form of God, did not count equality with God a thing to be grasped, 7but emptied himself, taking the form of a servant, being born in the likeness of men. 8And being found in human form he humbled himself and became obedient unto death, even death on a cross. 9Therefore God has highly exalted him and bestowed on him the name which is above every name, 10that at the name of Jesus every knee should bow, in heaven and on earth and under the earth, 11and every tongue confess that Jesus Christ is Lord, to the glory of God the Father.