Dark’s Light
Commentary by Gabriel Torretta, O.P.
The first moments flowing from the vocation of Jeremiah are dark and cold: ‘Out of the north evil shall break forth upon all the inhabitants of the land’ (Jeremiah 1:14), and ‘every one shall set his throne at the entrance of the gates of Jerusalem, against all its walls round about, and against all the cities of Judah’ (v.15), and ‘I will utter my judgments against them’ (v.16). A long night has settled upon the land, and God plunges Jeremiah into its midst. He offers him no great weapons, no masterful rhetoric, no earthly patron.
New York City, 1948. William Congdon, a young artist who has fought in World War II and seen concentration camps firsthand—leading him to a bitter rejection of his Puritan upbringing—experiences an artistic conversion. Drawn into the orbit of Jackson Pollock, he leaves behind the Classical Realism of his artistic training and embraces Abstract Expressionism, turning the cityscape around him into impastoed canvases heaped with paint, violently and endlessly scored with an awl.
A year later, a pattern seems somehow to have crept into his mind, working itself out in an unintentional series of paintings. The city begins to appear as a monstrous dying form, bleeding from a thousand wounds. In this 1949 work, the black mass of the city seethes and writhes, struggling even in its death throes to swallow the river, to blot out the sky. Its bulk overwhelms the canvas, seeming to press the sky against the upper edges of the composition. Yet somehow, cruelly burdened and partially obscured, one light still shines: a disc of gold.
Jeremiah’s prophetic vocation is born in darkness, the gloom of the people’s ‘wickedness in forsaking me’, their burning ‘incense to other gods’, their worshipping ‘the works of their own hands’ (v.16). The people of God will be driven out, overwhelmed, and pressed out of their land. The holy city will die from within, its glorious life swallowed up and blotted out by the consuming death of idolatry and sin. But this prophet, who will be mocked, ignored, and beaten, is given to the people of Judah to be an unquenchable disc of gold: ‘for I am with you, says the LORD, to deliver you’ (v.19).
References
Congdon, William. 1962. In My Disc of Gold: Itinerary to Christ (New York: Reynal & Company)