Unknown artist, Southern Netherlands [?]
Head of John the Baptist, c.1500–60, Alabaster, 26.7 x 21 cm, The Rijksmuseum, Amsterdam; Purchased with the support of the Rijksmuseum Funds, BK-1998-1, Courtesy of Rijksmuseum
Flesh Becomes Stone
Commentary by Imogen Tedbury
During the Fourth Crusade, what was believed to be the skull of St John the Baptist was discovered in Constantinople, whence it was removed and given to Amiens Cathedral. Relics of St John’s head—and there were other contenders across Europe—were considered responsible for miraculous cures.
Numerous sculpted heads survive in addition to these relics. This one is missing its charger, probably made from a different material such as metal, wood, stone, or majolica, which would have emphasized the synergies between flesh-like alabaster and stone-like flesh. Alabaster was widely used for sepulchral monuments across northern Europe. It is softer than marble, allowing for a pliancy that is not achieved with harder stones.
Here, St John’s face is highly polished, emphasising the softness of his fluttering eyelids and parted lips. Mottled flaws in the stone run across the saint’s cheekbones, and these textural veins seem to have inspired the dimensions of his features. Underneath John’s head, where hair blurs into the unfinished, unseen surface, marks suggest that some of this carving was done with a toothed gouge. Drill marks are visible deep in the curls of his hair and elsewhere.
In some ways this head is a portable object, but it is also impractically heavy at 13.4kg. It is unknown whether these objects were intended to be venerated on an altar, in another liturgical context, or in the realm of private devotion. According to the York Breviary (late fifteenth century), ‘Johannes in disco’ (as these sculptures were known) also symbolized the Eucharist, ‘the body of Christ which feeds us on the holy altar’. As bread becomes flesh in the Mass, so here flesh becomes stone.
References
Belyea, Thomas. 1999. ‘Johannes ex disco: Remarks on a Late Gothic Alabaster Head of St. John the Baptist’, Bulletin van het Rijksmuseum, 47.2: 100–117
Baert, Barbara. 2019. ‘The Spinning head. Round forms and the Phenomenon of the Johannesschüssel’, in Runde Formationen. Mediale Aspekte des Zirkulären, ed. by Joseph Imorde and Andreas Zeising (Siegen: Siegen University Press), pp.45–58