Martyrdom (The World Turned Upside Down)
Commentary by Clemena Antonova
The crucifixion of Peter is not mentioned in the Bible, but martyrdom is implied in the message of the narrative. The motif of the crucifixion derives from early Christian texts (Eusebius Eccl. Hist. 2.25; 1 Clem. 5.4, etc.), which invariably emphasize that Peter was nailed on the cross upside down. Peter himself asked to be martyred in this way, as he felt it was unseemly for him to die in the exact manner of the Lord. Thus, the humility he learned in bitter tears on the night of Jesus’s arrest would eventually determine even the manner of his death.
The crucifixion of Peter was rarely represented in medieval art. A figure shown upside down makes an awkward candidate for the believer seeking solace from the presence of a saint, which is mostly communicated through the face. What Michelangelo did in his fresco in the Cappella Paolina was, thus, highly original—he depicted a slightly earlier moment in the narrative. Instead of representing Peter already hanging on his cross, he showed the saint nailed on a cross that was in the process of being raised. In other words, the iconographical type of The Crucifixion of St Peter was transformed to The Raising of the Cross of St Peter.
The focus on the moment before the cross is being raised allows Michelangelo to show Peter’s face, forcefully turned around and looking directly at the viewer. The saint’s gaze connects the pictorial space and the viewer’s space and makes us part of the sacred drama, an effect that falls in line with contemporary Counter-Reformation spirituality.
Here, the one who so forcefully denied his Lord while Jesus was on trial undergoes his own final trial. We now find ourselves in his place, fixed by his gaze, as he once was by Christ’s (Luke 22:61).
References
Friedlaender, Walter. 1945. ‘The Crucifixion of St. Peter: Caravaggio and Reni’, Journal of the Warburg and Courtauld Institutes 8: 152–60
Steinberg, Leo. 1975. Michelangelo’s Last Paintings: The Conversion of St Paul and The Crucifixion of St Peter in the Cappella Paolina, the Vatican Palace (New York: Oxford University Press)
Wallace, William E. 1989. ‘Narrative and Religious Expression in Michelangelo’s Pauline Chapel’, Arbitus et Historiae 19