Vinicius Silva de Almeida [Vinícius S.A]
Tears of Saint Peter (Lagrimas de São Pedro), 2005–21, 6,000 light bulbs filled with water (various numbers in different locations), Installation, Brazil; © Vinicius S.A (Vinicius Silva de Almeida); Photo: Erivan Morais Junior
Repentance (Transforming Tears)
Commentary by Clemena Antonova
On the night of Christ’s arrest and trial, Peter denied knowing Jesus three times in a row (Luke 22:56–60) and then he ‘wept bitterly’ (v.62). Thus, Peter becomes a paradigm of the sinner, while his subsequent tears acquire a profound and exemplary theological significance. The short phrase ‘wept bitterly’ signifies the very Christian move from sin to repentance, which marks the spiritual transformation of the sinner. It is no surprise that Peter’s tears become a celebrated subject in the history of art.
The contemporary Brazilian artist Vinícius Silva de Almeida's Tears of Saint Peter (Lagrimas de São Pedro) uses hundreds of light bulbs, filled with water, and suspended on near-invisible nylon threads. The whole creates an impression of rain, or even tears, falling from the sky. The title of the work takes its cue from a series of festivals celebrated in Brazil in June, including the feast of Saint Peter on the 29th, which heralds the rainy season and gives rural communities in particular an opportunity to thank the saints for their assistance in providing the rain.
Encountering this installation, and knowing its title, some viewers may find themselves reflecting on the interconnection of sorrow with healing in Peter’s story. It is a story that suggests that the mercy of God is infinite and even the most terrible of sins is forgivable, but also that the path to divine mercy and forgiveness passes through repentance. It is possible to view the ‘tears’ of this installation, when interpreted from a Christian perspective, as a sign of human repentance, but also as a pointer to the promise of divine grace that, for those who repent, will ‘drop down … from above’ (Isaiah 45:8).
It is striking that this paradigm of repentance should be Peter, who is distinguished among all the apostles. It is Peter who becomes the ‘Rock of the Church’, the first among the male disciples who is granted the vision of the risen Christ (Galatians 2:9; 1 Corinthians 15:5). And Peter is singled out not despite of, but exactly because of his failure. Pope Leo I (440–61 CE) called Peter the first human ‘expert’ in divine humility (Uhalde 2009). His moment of weakness is only the beginning of his spiritual journey, which will go through tears and repentance and end, Christ-like, at the cross.
References
Hansen, Kerra Gazerro. 2012. ‘The Blessing of Tears: The Order of Preachers and Domenico Cavalca in St Catherine of Sienna’s “Dialogo della divina provvidenza”’, Italica, 89.2: 145–61
Porubcan, Stefan. 1967. ‘The Consciousness of Peter’s Primacy in the New Testament’, Archivum Historiae Pontificiae 5: 9–39
Uhalde, Kevin. 2009. ‘Pope Leo I on Power and Failure’, Catholic Historical Review 95.4: 671–88