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… the late medieval and early modern period (Conigliello 2005: 26–27). Tobit’s son Tobias, guided by the archangel Raphael, …

… active love as ‘a more excellent way’ (1 Corinthians 12:31) is part of an extended discussion about how Christians are …

… Caspar David Friedrich created this small painting in 1825. It is called  Woman Climbing up to the Light  and shows … Hofmann, Werner. 2000.  Caspar David Friedrich  (New York: Thames and Hudson) … Caspar David Friedrich … Read by …

… in that space (Barlow & Fecteau: 2013–14). In the case of untitled: slidingupturnedhouse , the viewer might … and Vincent Fecteau. 2013–14. ‘Phyllida Barlow and Vincent Fecteau’, BOMB 126: 48–57 … Phyllida Barlow … Phyllida Barlow … untitled: slidingupturnedhouse … Simon Ravenscroft … …

… faithful worshipper should embody (Brueggemann & Bellinger 2014: 82). Among the qualities of those who would ‘walk blamelessly, and do what is right’ (15:2) is that they ‘do not lend money at interest’ (15:5). In …

… composition of the edict’ (Barton and Muddiman 2012: 648; see Esther 8:8–9). Esther is both regal and, momentarily, … of woven threads (Rosenfeld and Smith 2007: 154). A gift between contemporary male leaders becomes a glossy, …

… in Exodus 34 but the Moses described in Exodus 32, descending unnoticed to the dancing and noise (vv.17–19). Placed … presence. As art historian Richard Neer (2006) has argued, this is an image that warns about the dangers of images, … and traces.   References Neer, Richard T. 2006. ‘Poussin and the Ethics of Imitation’,  Memoirs of the American …

… by Christ to his disciples in John 16:16–24. By speaking Christ’s words, Beatrice blurs easy distinctions between …

… the painting by the Italian artist Orazio Gentileschi (1562–1640) is characterized by clear restraint. There is no … by burning sulphur in the Jordan plain ( Genesis 19:24 ). The Bible is silent about what exactly happens to Lot … anti-Moabite tendencies (e.g. Deuteronomy 23:3–6), which probably have their roots in the wars between Judah / …

… Mosaics of San Marco in Venice , 2 vols (Chicago: University of Chicago Press) … Unknown artist … Read by Lydia Ayoade …

… in Simone Martini’s Christ Discovered in the Temple (1342) indicates, if it is not already apparent, that this … Mary’s question to the twelve-year-old Jesus in Luke 2:48: ‘Son, why have you treated us so? Behold, your father and … for what he has put them through (Edwards 2015: 95). Simone’s painting, however, may present us with a different …

… Clarence Larkin (1850–1924) was a mechanical drafter and Baptist minister from … to be ‘history written in advance’ (Larkin 1920: 5). They used the details of biblical prophecy to understand when and … (labelled 'Anti-Christ') mentioned in 2 Thessalonians 2:3–10. With small arrows, Larkin connects this image with two …

… In this central section of Isaiah 28, the prophet exposes the folly of Israel. Though they should be able to … relax and trust in YHWH’s providence (v.12), they followed the advice of inebriated priests and made a covenant with … their shelter’ (Goldingay 2014: 137). To establish this place of security God promises ‘a sure foundation’ (v.16) …

… blood, he himself likewise partook of the same nature’ (2:14). For the author of Hebrews, Jesus was without sin. He … The Córdoba-born sculptor Juan de Mesa (1583–1627) developed a deeply expressive naturalistic manner, following his … would absorb light and seem more natural (Bray 2009:18–19). El Gran Poder’s somewhat dark complexion is a result of …

… Last Supper.   References Davos, Nicole. 2008, The Loggia of Raphael: a Vatican Art Treasure (New York: Abbeville Press) Magister, Sandro. 2009. ‘The Loggia Is Still Closed, but Raphael's Bible Is Now Open to the Public, 26 June 2009’, www.chiesa.espresso.repubblica.it , [accessed 15 October 2019] … …

… where African Americans were lynched. In Hosea 2:3, 9–10, this intimate connection between the female body, … humiliation, and occurs thrice in Hosea 2. The spiritual/religious infidelity of Israel is literally fleshed out by a … Dallow, Jessica. 2012. ‘Departures and Returns: Figuring the Mother’s body in the art of Betye and Alison Saar’, in …