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… the norms of … medieval art’ (Hamburger 2014: 125). The illuminated manuscript bursts with clusters of biblical, … (Newman 2013: 133). The Rothschild Canticles ’s visual ‘apophatic literalism’ is practically unique, in that common …

… Klimt, 1862 – 1918: The World in Female Form (Köln: Taschen) Whitford, Frank. 1993. Gustav Klimt , Artists in Context …

… length in later works (Groarke & Papnikolas 2018: 116–17). Smoothing and foreshortening the steep valley walls creates … to a vineyard and garden (8:12–13). O’Keeffe’s minimized depth of field and Y-shaped composition enable the lush … (eds.). 2018. Georgia O’Keeffe: Visions of Hawai’i (Munich: The New York Botanical Garden and DelMonico Gooks, Prestel) …

… violently, much as the violent event in Exodus 4:24–26 ‘cuts’ through the story of Moses’s journey, disrupting the biblical …

… who view the menorah.   References McBee, Richard. 2009. ‘A Light Unto The Nation: Benno Elkan’s Knesset Menorah: Review, 14 January 2009’,  www.JewishPress.com , [accessed 4 November 2018] … Benno Elkan … Read by Lydia Ayoade … Benno Elkan … Ezekiel, from the …

… church standing at the foot of the cross (John 19:25–27). Two of that group—his mother and Mary Magdalene—flank the body … Fehribach, Adeline. 2003. ‘The ‘Birthing’ Bridegroom: The Portrayal of Jesus in the Fourth Gospel,’ in A Feminist …

… in the parable of the sheep and the goats from Matthew 25; here they are all directed by the central figure of Love …

… one who delivered her from seven demons ( Luke 8:2 ). In the back row, Mary, wife of Cleopas, raises her arms …

… labour for that which does not satisfy?’ (Isaiah 55:2 NRSV). True satisfaction and true sustenance lie in God. Will the …

… being the one who kept ‘the money box’; John 12:6, and his traditional red hair) looks on coolly—but the other …